It’s a complicated story. But if you want to know why the Newport Jazz Festival has been so important to American music, it’s easy: you just have to hear the recorded evidence. Bits and pieces have emerged over the years, in live recordings by Ellington, Coltrane and others. Now Wolfgang’s Vault, the online concert-recording archive, intends to fill in the gaps.
The company, based in San Francisco, bought the archives of the Newport festivals from the Festival Network last year. Bill Sagan, founder and chief executive of Wolfgang’s Vault, says the archives include many, many tapes: 1,000 to 1,200 individual performances, dating at least to 1955, the festival’s second year, and continuing to the end of the century.
Since the purchase, Wolfgang’s Vault has spent almost $5 million, Mr. Sagan said, on making audio transfers and mixes of the tapes. (Neither Mr. Sagan nor Chris Shields of the Festival Network would reveal the amount spent on acquiring the archive itself.) On Wednesday the company will begin posting free streams of a handful of performances from the 1959 Newport Jazz Festival, at wolfgangsvault.com: the first offerings include Count Basie, Dakota Staton and Art Blakey’s Jazz Messengers. By next Tuesday, when more are added, there will be 27 sets from that year’s jazz festival, including some by Ahmad Jamal, Joe Williams, Thelonious Monk and Horace Silver.
Newport Jazz Festival Page (via Wolfgang’s Vault)
Access Wolfgangs Vault (It’s home to rock and Jazz performances)
Much More in the Complete Article
Source: The New York Times
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on Wednesday, November 11th, 2009 and is filed under Archives and Special Collections, Arts and Humanities, Resources.
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